{"id":11059,"date":"2018-10-18T12:00:15","date_gmt":"2018-10-18T17:00:15","guid":{"rendered":"https:\/\/www.thebozho.com\/?p=11059"},"modified":"2018-10-23T15:18:27","modified_gmt":"2018-10-23T20:18:27","slug":"new-music-bad-bunny-miya-halick-sampha","status":"publish","type":"post","link":"https:\/\/www.thebozho.com\/new-music-bad-bunny-miya-halick-sampha\/","title":{"rendered":"Pop Gazing: New music from Bad Bunny (feat. Drake) and more"},"content":{"rendered":"<p>Three of my picks this week skew toward quiet, contemplative introspection, so it\u2019s only natural that the outlier is an exuberant pop smash bound for months on the charts. Take your pick; mix or match to suit however you\u2019re feeling this week. I feel like you\u2019ll be able to tell which is which.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 20px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>Miya Halick: \u201cThingamajig\u201d<\/h3>\n<p>Last week St. Vincent released <a href=\"https:\/\/www.youtube.com\/playlist?list=PL3y5JHZHw7D2BlqQ97-jg7EnTHphTr100\" target=\"_blank\" rel=\"noopener\"><em>MassEducation<\/em><\/a>, a slower, piano-based version of 2017\u2019s <a href=\"https:\/\/www.youtube.com\/watch?v=gGUi2JKoqAo&amp;list=OLAK5uy_lsk36jNCiAQYfr1JMACCaRkeuKQsXBrD0\" target=\"_blank\" rel=\"noopener\"><em>Masseduction<\/em><\/a>, and it is very good. If you\u2019re looking for something to follow (or replace) <em>MassEducation<\/em> in your Spotify playlist, I very highly recommend \u201cThingamajig.\u201d This delicate ballad is the opening track on <a href=\"http:\/\/terriblerecords.com\/\" target=\"_blank\" rel=\"noopener\">Terrible Records<\/a> artist Miya Halick\u2019s debut album <a href=\"https:\/\/miya.bandcamp.com\/album\/premonitions\" target=\"_blank\" rel=\"noopener\"><em>Premonitions<\/em><\/a>, which is out Oct. 26. The lyrics of \u201cThingamajig\u201d are apologetic and self-aware, but they\u2019re not bleak. Amid the soft, pointillist production, Halick offers too many heartwarming, conscientious sentiments to quote here. This is the fourth single she\u2019s released from the album, and each song has occupied quite different emotional and musical territory. It\u2019s all got me very excited to hear the rest of <em>Premonitions<\/em>, one of an increasingly small number of my remaining anticipated 2018 album releases.<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2351516284\/size=large\/bgcol=ffffff\/linkcol=63b2cc\/tracklist=false\/artwork=small\/track=2434187098\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/miya.bandcamp.com\/album\/premonitions\">Premonitions by Miya Folick<\/a><\/iframe><br \/>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 20px;border-top-width:0px;border-bottom-width:0px;\"><\/span><span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 40px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>How to Dress Well: \u201cBody Fat\u201d<\/h3>\n<p>Ethereal ambient pop prince Tom Krell aka How to Dress Well is known for his lush, lilting falsetto, and \u201cBody Fat\u201d showcases it well. Drenched in his signature reverb, this cut floats along, harboring mixed feelings looking back on a relationship. The visuals, which feature a decorated Krell amid fleshy animated abstractions, are quintessential How to Dress Well: simultaneously stark and obscured. This second single from the upcoming full-length <em>The Anteroom<\/em> follows a much dancier cut, the house jam \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=QjQZAIwP6r8\" target=\"_blank\" rel=\"noopener\">Nonkilling 6 | Hunger<\/a>.\u201d <em>The Anteroom<\/em> drops on Friday.<\/p>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/ErQpWVe38LY?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 40px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>Bad Bunny (feat. Drake): \u201cMIA\u201d<\/h3>\n<p>Given Latin trip star Bad Bunny\u2019s massive appeal and Drake\u2019s proclivity to hop on tracks with people with massive appeal, it\u2019s stunning we had to wait this long for them to collab. And here it is, finally: \u201cMIA,\u201d a summer bop sung entirely in Spanish. As much as I tend to be wary of Drake, I do have to hand it to him: He really is trying his hardest to be cool. The video, which features Bad Bunny and Drake playing dominoes at a house party with about a hundred dancing women, was directed by <a href=\"https:\/\/www.fernandolugo.net\/\" target=\"_blank\" rel=\"noopener\">Fernando Lugo<\/a>, who\u2019s done a heap of videos for Bad Bunny. Lyrically, it\u2019s not much of a revelation for either artist (\u201cTell them you&#8217;re mine, mine \/ You know you&#8217;re mine, mine\u201d) but it\u2019s going to be around for a very long time and is likely to be the first song sung entirely in Spanish to crush Top 40 radio since \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=Jp6j5HJ-Cok\" target=\"_blank\" rel=\"noopener\">La Bamba<\/a>.\u201d<\/p>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/OSUxrSe5GbI?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 40px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>Sampha: \u201cTreasure\u201d<\/h3>\n<p>From the soundtrack of the Timoth\u00e9e Chalamet &amp; Michael Scott movie <a href=\"https:\/\/www.youtube.com\/watch?v=y23HyopQxEg\" target=\"_blank\" rel=\"noopener\"><em>Beautiful Boy<\/em><\/a>, this incredibly gorgeous track features Sampha\u2019s vocals flowing over a brisk Radiohead-y piano loop. \u201cTreasure\u201d continues the incredible streak Sampha has been on in recent years and, spoiler alert, the song is used in the credits of the film. Imagine that: hearing this as the picture fades and the credits begin to roll, fresh off of two hours of emotions. I already can\u2019t keep it together!<\/p>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/_e-Qi62Aufs?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Three of my picks this week skew toward quiet, contemplative introspection, so it\u2019s only natural that the outlier is an exuberant pop smash bound for months on the charts. Take [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":11065,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5151],"tags":[7720,7721,7723,7719,54,1801,7722],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.3 (Yoast SEO v18.5.1) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>New music from Bad Bunny, Miya Halick, Sampha - The Bozho<\/title>\n<meta name=\"description\" content=\"Given Latin trip star Bad Bunny&#039;s massive appeal and Drake&#039;s proclivity to hop on tracks with people with massive appeal, it\u2019s stunning we had to wait.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thebozho.com\/new-music-bad-bunny-miya-halick-sampha\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"New music from Bad Bunny (feat. 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