{"id":11634,"date":"2018-11-30T12:34:02","date_gmt":"2018-11-30T18:34:02","guid":{"rendered":"https:\/\/www.thebozho.com\/?p=11634"},"modified":"2018-12-13T08:12:57","modified_gmt":"2018-12-13T14:12:57","slug":"winter-music-preview-2018","status":"publish","type":"post","link":"https:\/\/www.thebozho.com\/winter-music-preview-2018\/","title":{"rendered":"Kurt Vile, Noname, Colter Wall and more: Winter Music Preview"},"content":{"rendered":"

Winter may be the least popular time to leave the house, but it becomes a bit easier when there\u2019s great live music to go out and see. Here are some highlights of the acts braving the Upper Midwest snows and bitter cold to play Madison in late 2018 and early 2019.<\/span>\n

Colter Wall<\/h2>\n

Majestic Theatre, Dec. 1<\/em><\/p>\n

At 25, Colter Wall may not seem old enough for the hard living of outlaw country. Besides that, he\u2019s Canadian. But like Neil Young before him, Wall is also giving a take on an American genre on par (or even beyond) anything his Yankee counterparts are offering. Marked by a rumbling baritone that\u2019s like a thunderstorm across a Saskatchewan oil field, Wall is two albums deep thus far. Each was helmed by Nashville studio wizard Dave Cobb, who\u2019s worked worked with Jason Isbell and Sturgill Simpson. The latest, Songs of the Plains<\/em>, was released in October and sees Wall finding a groove in his downhome, up north sound.<\/span>\n

The Hussy<\/h2>\n

Mickey\u2019s Tavern, Dec. 1<\/em><\/p>\n

While we\u2019re fans of all <\/em>of Bobby Hussy\u2019s approximately 420 bands in the Madison area, The Hussy is the OG. So it\u2019s never a bad idea to catch a show by the literally guitar-burning garage punks, especially on their home turf at Mickey\u2019s. They\u2019ll also be hosting Minneapolis\u2019 BLAHA<\/strong>, which features Mike Blaha of The Blind Shake and who will be releasing a tape on Hussy\u2019s No Coast label.<\/span>\n

Stars<\/h2>\n

Majestic Theatre, Dec. 3<\/em><\/p>\n

If you came of age during the mid-2000s, Stars were the soundtrack to your life, whether you knew it or not. The Canadian indie pop band had songs featured in nearly every teen TV show, from The O.C. <\/em>and Degrassi<\/em> to Gossip Girl <\/em>and One Tree Hill<\/em>. And that\u2019s largely because their twinkling take on chamber pop is a perfect expression of the wide-eyed earnestness so many youngs try to mask under layers of cynicism. They\u2019ll be joined here by My Brightest Diamond<\/strong>, aka Shara Nova, another seriously talented veteran chamber popper.<\/span>\n

Felly<\/h2>\n

High Noon Saloon, Dec. 5<\/em><\/p>\n

Sometime within the last five years, hip-hop got dosed. The genre has found a new bedfellow in psychedelic rock, and emcees from A$AP Rocky to Travis Scott are tripping out their rhymes. Rising Connecticut emcee Felly is chief among those, with his 2017 LP Wild Strawberries<\/em> hailed as<\/a> \u201ca complex, enriching aural ecosystem that you can get lost in if you\u2019re not careful.\u201d His 2018-released EP Winters in Brooklyn <\/em>illustrates the often bleak, eerie nature of New York winters and the vibrance that pulsates through them.<\/span>\n

\"Manchester
Nolan Knight<\/figcaption><\/figure>\n

Manchester Orchestra<\/h2>\n

The Sylvee, Dec. 5<\/em><\/p>\n

Manchester Orchestra is like Brand New for people who can\u2019t listen to Brand New anymore. The Georgia indie rockers share that band\u2019s penchant for expansive, sonically challenging records, with none of the creepy aftertaste<\/a> of Jesse Lacey. Plus, Andy Hull is a far better lyricist than Lacey. He\u2019s able to navigate dense metaphors and spirituality without ever dipping into the misogynistic undercurrent that permeated their era of emo. Manchester Orchestra\u2019s latest album, last year\u2019s A Black Mile to the Surface<\/em>, is a damn masterpiece, full stop. They co-headline here with The Front Bottoms<\/strong>, another group of proto-emo folk-poppers led by another equally gifted lyricist, the witty and weedy Brian Sella.<\/span>\n

Lindsey Stirling<\/h2>\n

Coliseum at Alliant Energy Center, Dec. 5<\/em><\/p>\n

Lindsey Stirling does it all. The violinist and performance artist is also a go-to collaborator for many musicians, including John Legend, Evanescence and Tay \u201cChocolate Rain<\/a>\u201d Zonday. And that\u2019s a testament to Stirling\u2019s skill on the violin. She has an innate ability to model her playing to whatever genre calls for it, including experimentations in the disparate fields of EDM and Christian music. Stirling is on tour in support of a holiday album, Warmer in the Winter<\/em>, released in 2017.<\/span>\n

Megan Thee Stallion<\/h2>\n

The Sett at Union South, Dec. 7<\/em><\/p>\n

About 10 years ago, Houston, Texas dominated hip-hop. Swaggering hard-hitters like Paul Wall, Chamillionaire and Mike Jones dominated the airwaves, helping put the Deep South on the rap map. Megan Thee Stallion continues that tradition, gender-flipping H-Town\u2019s inherent swagger with sex-positive anthems that paint her as a Southern version of Cardi B. Just listen to this cypher session<\/a> \u2014 Thee Stallion has bars<\/em>. Take a chance to see her for free before she blows up to Cardi\u2019s level.<\/span>\n

Cave Curse<\/h2>\n

Crystal Corner, Dec. 8<\/em><\/p>\n

If you\u2019ll recall the earlier mention of Bobby Hussy\u2019s 420 bands, this is one of them. With the addition of No Hoax\u2019s Tyler Spatz and Ben Brooks plus synthist (synther?) Emili Earhart, Cave Curse has morphed from Hussy\u2019s bedroom project to a full-blown rock band. Think Nine Inch Nails but punkier. If I haven\u2019t sold you at this point, go listen to the 2017 LP Future Dust<\/em> and get back to me.\u00a0The bill here also includes Madison\u2019s Wash <\/strong>and Solid Freex<\/strong>, plus Service<\/strong>, an Indianapolis band that features members of The Jon Spencer Blues Explosion.<\/span>\n

\"William
Chloe Millward Whitmore<\/figcaption><\/figure>\n

William Elliott Whitmore<\/h2>\n

Majestic Theatre, Dec. 14<\/em><\/p>\n

Make no mistake, William Elliott Whitmore is the coolest farmer in all of Iowa. The gravel-throated troubadour still lives on the horse farm he grew up on. And in between those horse-related duties, he makes incredible folk music. Whitmore was raised as much on punk rock as he was on old-timey music, so his songs sound like they come from a bygone era while maintaining an aggressive, modernist edge. I mean, how many other folkies can take a Bad Religion song<\/a> and make it sound angrier without ever even raising their voice past a low growl?<\/span>\n

GGOOLLDD<\/h2>\n

High Noon Saloon, Dec. 20<\/em><\/p>\n

For a band that\u2019s only officially released a couple EPs and a handful of singles, Milwaukee\u2019s GGOOLLDD works hard as hell. The electropop crew plays tons of shows around the area and tours almost constantly, including a national run this past spring opening for Orchestral Manoeuvres in the Dark. They\u2019ll be joined here by Madison\u2019s own Seasaw<\/strong>, who just put out a killer new album titled Big Dogs<\/em> in September.<\/span>\n

Kurt Vile and the Violators<\/h2>\n

The Sylvee, Dec. 20<\/em><\/p>\n

Since leaving The War on Drugs (a band he was a founding member of) in 2008, Kurt Vile has dropped a whopping eight albums. Just in the last couple years, the gauzy guitarist has put out a high-profile collaboration with Courtney Barnett called Lotta Sea Lice<\/em> in addition to his own Bottle It In<\/em> this year. Vile is an expert at making hangout music \u2014 the kind of ambling, stream-of-consciousness jams that make the perfect soundtrack for everyday malaise. I, for one, have spent many afternoons cranking out #content while awash in the swirling guitars of \u201cBassackwards<\/a>\u201d and \u201cRollin with the Flow.\u201d But don\u2019t let the slacker thing fool you; the prolific Vile is one of the hardest working guys in indie rock.<\/span>\n

Wood Chickens<\/h2>\n

Crystal Corner, Dec. 22<\/em><\/p>\n

If you\u2019ve read this site before, you know how we feel<\/a> about the weirdos of Wood Chickens. If you haven\u2019t, we love them. Their latest album, Well Done!<\/em>, is one of the most fun listens you\u2019re bound to find this year. At this show, the boys are hosting a Christmas rager featuring two local groups of rippers: the hardcore punks of Black Cat<\/strong> and dancier-but-still-punk-as-fuck Treatment<\/strong>.<\/span>\n

Direct Hit!<\/h2>\n

Majestic Theatre, Jan. 5<\/em><\/p>\n

Nick Woods is on a mission to melt your brain. His prolific punk act, Direct Hit!, has released three concept albums since 2013, covering subjects from apocalyptic cataclysms to drugged out fear and loathing. This year\u2019s Crown of Nothing<\/em> – the Direct Hit!\u2019s second for legendary punk label Fat Wreck Chords – sees the Milwaukee quartet returning to familiar themes of heaven and hell, as well as the pros and cons of nihilism. Trust me, it\u2019s good fun. They\u2019re playing here as part of Wisconsin Punk Fest<\/a>, which also includes The Hussy<\/strong>, Avenues<\/strong>, Coasting<\/strong> and Gender Confetti<\/strong>.<\/span>\n

\"Trapo\"
Ben Vogel \/ Esselgy<\/figcaption><\/figure>\n

Trapo<\/h2>\n

Majestic Theatre, Jan. 12<\/em><\/p>\n

Madison\u2019s music scene seems to be dominated mostly by indie rock bands, so it\u2019s always interesting when a rapper breaks through. That\u2019s the case with Trapo, the young emcee who scored a profile in hip-hop bible XXL<\/em><\/a>\u00a0in 2016 at just 18. His latest EP, the jazzy, east coast-influenced Oil Change<\/em>, dropped earlier this year. Here, he\u2019ll topline the\u00a0Wisconsin Hip-Hop Fest<\/a>, which also includes Bird\u2019s Eye<\/strong>, Lucien Parker<\/strong>, CrashPREZ<\/strong>, Sincere Life<\/strong>, Chris Jewson<\/strong>, and Broadway Muse<\/strong>.<\/span>\n

Charly Bliss<\/h2>\n

High Noon Saloon, Jan. 17<\/em><\/p>\n

Full disclosure: I\u2019m head over heels in love with Charly Bliss. I had never heard the New York \u201cbubblegrunge\u201d crew before catching their set opening for Death Cab for Cutie this fall, but once I did I fell hard. Their 2017 debut Guppy<\/em> has quickly become one of my go-to albums. Anchored by Eva Hendricks\u2019 distinctive vocals (which sound kind of like Tommy Pickles of Rugrats<\/em> fronting Weezer), songs like \u201cPercolator<\/a>\u201d and \u201cGlitter<\/a>\u201d sound tailormade for teen comedy soundtracks. And speaking of, here\u2019s a fun fact: guitarist Spencer Fox is a former child actor who was the original voice of Dash Parr in The Incredibles<\/em>.<\/span>\n

Them Coulee Boys<\/h2>\n

Majestic Theatre, Jan. 19<\/em><\/p>\n

Though they\u2019re headlining the second night of Wisconsin Bluegrass Fest<\/a>, Them Coulee Boys aren\u2019t strictly <\/em>bluegrass. The Eau Claire four-piece counts artists ranging from Trampled By Turtles to Titus Andronicus as influences, bringing a ragged punk spirit to their folk music. And joining them here is Madison\u2019s WheelHouse<\/strong>, maybe the only band playing anywhere in town this winter who makes their own whiskey. Other artists on this bill include Feed the Dog<\/strong>, Chicken Wire Empire<\/strong> and Monsters of Grass<\/strong>.<\/span>\n

\"Noname\"
Bryan Allen Lamb<\/figcaption><\/figure>\n

Noname<\/h2>\n

The Sylvee, Jan. 26<\/em><\/p>\n

Have you heard Room 25<\/em>, the universally acclaimed debut album of Chicago rapper Noname? If not, stop reading this and listen to it. It\u2019s just over a half-hour long and is more spoken word than rap, mixing Noname\u2019s poetic flow with a jazzy backbeat. The artist born Fatimah Warner is a true polymath, gifted with equal talent as a rapper and singer and a concrete creative vision many young artists lack. Noname makes hip-hop that\u2019s inclusive by design, drawing in everyone who comes to it. And we\u2019re all the better for it.<\/span>\n

Gregory Alan Isakov<\/h2>\n

Capitol Theater, Jan. 27<\/em><\/p>\n

Even without the whole \u201cmusic thing,\u201d Gregory Alan Isakov seemingly has it made. When he\u2019s taking his indie folk on the road, Isakov grows vegetables and medical cannabis on his Colorado farm. He\u2019ll take a break from life on the farm to play here with Good Old War<\/strong>, a Philadelphia folk-rock act who began their life as an emo punk band called Days Away.<\/span>\n

King Tuff<\/h2>\n

High Noon Saloon, Jan. 30<\/em><\/p>\n

Like Charly Bliss, King Tuff is another artist I hadn\u2019t heard before seeing him open for another band (in this case, Father John Misty). And I\u2019m glad to say I\u2019m much better for it. The artist born Kyle Thomas is an endlessly eclectic performer, careening from lo-fi garage rock to psychedelic heaviness, as much Black Sabbath as he is Black Lips. But King Tuff likes to go big, too \u2014 his live show is a true spectacle, replete with crazy costumes and charming stage banter. He\u2019s a rock star for people who don\u2019t like the concept of rock stars.<\/span>\n

The Devil Makes Three<\/h2>\n

Majestic Theatre, Jan. 31<\/em><\/p>\n

It\u2019s astonishing to me that The Devil Makes Three formed in 2002 and not 1922. They\u2019re something of a musical time capsule, playing a form of Americana that mixes bluegrass, ragtime and old-time into a sound that\u2019s very much modern (the band\u2019s three members are all veteran of the Santa Cruz, California punk scene). For further proof, their latest album, Chains are Broken<\/em>, was produced by Ted Hutt. Hutt\u2019s other credits include records by The Gaslight Anthem, Dropkick Murphys and Lucero, three bands that have found great success mixing classic sounds with modern aesthetics.<\/span>\n

Dillon Francis + Alison Wonderland<\/h2>\n

The Sylvee, Jan. 31<\/em><\/p>\n

Dillon Francis has been a star DJ for years, working to popularize the moombahton genre, itself a fusion of house and reggaeton. But now Francis is trying his hand at acting, starring in comedian and memelord Jack Wagner\u2019s web series Like and Subscribe<\/em> as a Hollywood manager for the YouTube era. The pivot won\u2019t stop Francis from making you dance your ass off here. Helping him accomplish this is Alison Wonderland, an Australian EDM star who notably collaborated with The Flaming Lips\u2019 Wayne Coyne on her debut album Run<\/em>.<\/span>\n

Post Animal + Ron Gallo<\/h2>\n

High Noon Saloon, Jan. 31<\/em><\/p>\n

Post Animal explores the heavier side of pop, often culminating in a sound that\u2019s like Black Sabbath jamming with Steely Dan. The Chicago psych rockers heavily recall the latter on the infectious \u201cRalphie<\/a>,\u201d a song I cannot stop listening to for the life of me. They\u2019ll be joined by Ron Gallo, a Philly native who treats his garage rock like an art project. Case in point, he followed up his acclaimed 2017 debut HEAVY META<\/em> with, uhh, a comedy rock EP about the monotony of being in a band? Fuck it. Let\u2019s party.<\/span>\n

\"Kacey
Kelly Christine Sutton<\/figcaption><\/figure>\n

Kacey Musgraves<\/h2>\n

The Sylvee, Feb. 1<\/em><\/p>\n

A lot of people love to decry the state of country music on the radio, hemming and hawing about cutoff jeans and jacked-up trucks. A lot of it is warranted, but not all<\/em> the country on the radio is bad. Just look at Kacey Musgraves. Three albums into her career, she is undoubtedly the biggest iconoclast on country radio. An outspoken feminist, her lyrics typically cover topics from the genre\u2019s traditional heartbreak anthems, as well as touchier subjects like LGBT rights and recreational weed (a topic quite a few people in this state<\/a> may care about). In a genre marked by an almost assembly line-like approach to manufacturing hits, Kacey Musgraves is as real as it gets.<\/span>\n

Vundabar<\/h2>\n

High Noon Saloon, Feb. 4<\/em><\/p>\n

This will be Vundabar\u2019s third trip to Madison in just over a year. And I\u2019m glad they seem to enjoy our company so much, because we sure do like them. I mean, how can you not? The Boston trio\u2019s third album, Smell Smoke<\/em>, is a meditation on death, and though that sounds heavy, it\u2019s not. Vundabar manages to turn their macabre subject matter into a catchy collection of garage rock jams. After all, death is inevitability. Why not have some fun with it? And if you get there early, throw your hometown support behind Madison\u2019s own Slow Pulp<\/strong>, a rising indie punk act that recently relocated to Chicago.<\/span>\n

Too Many Zooz<\/h2>\n

Majestic Theatre, Feb. 12<\/em><\/p>\n

Too Many Zooz is another band that made up their own genre tag, in this case \u201cbrass house.\u201d In this instance, it\u2019s very accurate; the New Yorkers combine dancehall thump of house music with saxophones and trumpets. And while *pushes glasses up* technically the sax is a wind instrument, we\u2019ll give them a pass for inspiring so many people to stop arguing about semantics and dance. Just remember to stretch first, nerd.<\/span>\n

Mandolin Orange<\/h2>\n

Majestic Theatre, Feb. 14<\/em><\/p>\n

Besides having an awesome name, Mandolin Orange is a pretty awesome band, too. The North Carolinian duo delivers a modern take on roots music using the modern pop they grew up on to inform their downhome sound. And it\u2019s a sound that\u2019s won them legions of fans, as well as bookings at vaunted festivals like Austin City Limits, SXSW and the Newport Folk Festival.<\/span>\n

\"Dropkick
Gregory Nolan<\/figcaption><\/figure>\n

Dropkick Murphys<\/h2>\n

The Sylvee, Feb. 20<\/em><\/p>\n

The are three constants in this life: death, taxes, and the enduring popularity of Dropkick Murphys. The long-running Boston punks always manage to find an audience, whether it\u2019s through Martin Scorsese movies, Red Sox games, or telling our outgoing governor<\/a>\u00a0to go fuck himself. Another reason could be that they put on an incredible, high-energy live show that never fails to throw the crowd a few curveballs. For example: I once saw them in Chicago, and they brought Blackhawks star Jonathan Toews onstage to dance an Irish jig. And buddy let me tell you, it\u2019s a good thing he\u2019s sticking to hockey\u2026<\/span>\n

Dr. Dog<\/h2>\n

Majestic Theatre, Feb. 22<\/em><\/p>\n

If Dr. Dog\u2019s psychedelic take on folk rock doesn\u2019t sufficiently convince you of their strangeness, here\u2019s a fun factoid about the band: All of their members \u2014 current or former \u2014 and friends of the band are given a nickname that starts with the letter T<\/a>. Singer Scott McMicken is \u201cTaxi,\u201d for example, and former guitarist Andrew Jones (a licensed attorney) is \u201cTrial.\u201d Strange, yes, but as long as Taxi and the boys of Dr. Dog keep making such great, easygoing music, they can call themselves whatever they want. And be sure to catch openers The Nude Party<\/strong>, another wild psych rock outfit in the vein of Post Animal or King Gizzard & the Lizard Wizard.<\/span>\n

Young the Giant<\/h2>\n

The Sylvee, Feb. 23<\/em><\/p>\n

Young the Giant\u2019s Sameer Gadhia is one of my favorite voices in rock music. His elastic vocals pinball between a delicate falsetto and commanding tenor, which create a rougher edge for the shimmering tendencies of his band. In many ways, Gadhia is indie rock\u2019s version of Steve Perry, full of stage presence and unparalleled singing ability. Now if you excuse me, I\u2019ll be psyching myself up by listening to \u201cCrystallized<\/a>\u201d on repeat for the next three months.<\/p>\n","protected":false},"excerpt":{"rendered":"

Winter may be the least popular time to leave the house, but it becomes a bit easier when there\u2019s great live music to go out and see. Here are some […]<\/p>\n","protected":false},"author":9,"featured_media":11638,"comment_status":"open","ping_status":"closed","sticky":false,"template":"page-templates\/featured-post.php","format":"standard","meta":[],"categories":[5151],"tags":[5620,215,6463,126,112,1740,54,5081,8126,6155,8128,8127],"yoast_head":"\nThe 20-some best concerts in Madison this winter - The Bozho<\/title>\n<meta name=\"description\" content=\"From Kurt Vile to Noname to Colter Wall and more, plenty of acts will brave the Upper Midwest snows and bitter cold to play Madison this winter.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thebozho.com\/winter-music-preview-2018\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The 20-some best concerts in Madison this winter\" \/>\n<meta property=\"og:description\" content=\"Kurt Vile, Noname, Colter Wall and more.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.thebozho.com\/winter-music-preview-2018\/\" \/>\n<meta property=\"og:site_name\" content=\"The Bozho\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/thebozho\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-11-30T18:34:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-12-13T14:12:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2018\/11\/WMP-fb.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"630\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"The 20-some best concerts in Madison this winter\" \/>\n<meta name=\"twitter:description\" content=\"Kurt Vile, Noname, Colter Wall and more.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2018\/11\/WMP-tw.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@thebozho\" \/>\n<meta name=\"twitter:site\" content=\"@thebozho\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tom Whitcomb\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"15 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.thebozho.com\/#organization\",\"name\":\"The Bozho\",\"url\":\"https:\/\/www.thebozho.com\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/thebozho\/\",\"http:\/\/instagram.com\/thebozho\",\"https:\/\/twitter.com\/thebozho\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.thebozho.com\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/04\/logo.png\",\"contentUrl\":\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/04\/logo.png\",\"width\":600,\"height\":280,\"caption\":\"The Bozho\"},\"image\":{\"@id\":\"https:\/\/www.thebozho.com\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.thebozho.com\/#website\",\"url\":\"https:\/\/www.thebozho.com\/\",\"name\":\"The Bozho\",\"description\":\"Seeing things. 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