{"id":12773,"date":"2019-03-07T23:48:57","date_gmt":"2019-03-08T05:48:57","guid":{"rendered":"https:\/\/www.thebozho.com\/?p=12773"},"modified":"2019-03-13T13:05:01","modified_gmt":"2019-03-13T18:05:01","slug":"new-music-beths-empath-ric-wilson","status":"publish","type":"post","link":"https:\/\/www.thebozho.com\/new-music-beths-empath-ric-wilson\/","title":{"rendered":"Pop Gazing at SXSW: The Beths, + Empath, Ric Wilson and more music"},"content":{"rendered":"<p>I\u2019ve never thrown a party I wasn\u2019t still preparing for when the first guests arrived.<\/p>\n<p>Maybe that\u2019s why I can empathize with most unofficial SXSW shows (see: non-$900 badge) getting thrown together in the days, or even hours, before they happen.<\/p>\n<p>A ton of great shows have been announced in the last week or so, and it\u2019s quite likely that many more will be announced by the time this column gets posted. Thousands of people are doing their best to get their band or brand or whatever out there, and I can\u2019t wait to drink it up over and over again.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 20px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/6gKSkbuGwZw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 5px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>Ric Wilson: \u201cSinner\u201d<\/h3>\n<p>There\u2019s no better reminder that the Midwest is a hotbed of national talent than seeing Wisconsin\/Chicago bands for the first time 1,000 miles away from home. Chicago singer\/rapper Ric Wilson is my most anticipated in this category for this year. As sunny as a cookout and remarkably buoyant, the handful of tracks I\u2019ve heard from Ric have me anticipating a set vibrant enough to carry my weary feets through a continuous week of non-stop shows.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 40px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/PLWA9KKX6EQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 5px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>Empath: \u201cSoft Shape\u201d<\/h3>\n<p>I think my overall most anticipated act in Austin next week is Empath. I haven\u2019t yet seen how Empath\u2019s effective use of production and editing layered into their turbulent pop songs translates live. But given the way every band at SXSW has to set up in about five minutes, it\u2019s quite possible that none of the Empath sets I catch will sound the same anyhow. P.S. There\u2019s a new album coming!! <a href=\"https:\/\/getbetterrecords.bandcamp.com\/album\/active-listening-night-on-earth\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Active Listening: Night on Earth<\/em><\/a> is out April 2 on the awesome Get Better Records.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 40px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/j0wb0HpqoWE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 5px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>RRUCCULLA: \u201cIcy Blue Coral\u201d<\/h3>\n<p>I\u2019m sure there are going to be some great electronic beat set showcases this year, but my favorite place to see a producer at SXSW is usually stuck onto some weird indie rock bill where they can really take over. Nothing feels crisper than some great programmed percussion after five straight days of guitar music. Spanish electronic producer RRUCCULLA\u2019s jazz-influenced experimental post-vaporwave catalog is full of surprises, and I have her on my must-see list for a much needed refresh from all the \u201990s throwback rock I\u2019ll be immersed in for the rest of the week.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 40px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/G0c71QCx4ug?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 5px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>Sir Babygirl: \u201cHaunted House\u201d<\/h3>\n<p>One of the best things about SXSW is how low stakes everything is. It\u2019s fun to see the things you\u2019re excited about, of course. But it\u2019s also good to know that if you aren\u2019t digging a set, it\u2019ll be over in 15 minutes and there\u2019s probably another good band playing right next door. This makes it a great environment to check out the buzzy bands you\u2019re still on the fence about, which is why I\u2019m including Sir Babygirl here.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 40px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/BmCZ-NxESOc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 5px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>The Beths: \u201cUptown Girl\u201d<\/h3>\n<p>I couldn\u2019t see The Beths play in Chicago this week cuz their show sold out, but I\u2019m not bitter. Aside from the craziest of the VIP-grade lineups, most bands playing SXSW tend to be pretty easy to catch \u2014 as long as you\u2019re willing to wait in line and do the homework to find out which line is the right one to be in. I\u2019m eager to hear songs from <a href=\"https:\/\/thebethsnz.bandcamp.com\/album\/future-me-hates-me\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Future Me Hates Me<\/em><\/a>, the 2018 debut from this upbeat New Zealand quartet. They are sure to make their audiences in the Texas sun get a whole lot sweatier. (Can you tell I\u2019m writing this in barely two-digit temperatures?) The Beths will play a <a href=\"https:\/\/www.facebook.com\/thisisdisq\/photos\/a.1503745013233759\/2288404454767807\/?type=3&amp;theater\" target=\"_blank\" rel=\"noopener noreferrer\">Stereogum showcase<\/a> with Madison\u2019s <a href=\"https:\/\/www.thebozho.com\/disq-new-video-communication\/\">Disq<\/a> on March 12.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 40px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/TMn1UuEIVvA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 5px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>black midi: [Live on KEXP]<\/h3>\n<p>What would SXSW be without gimmicks? The music portion of SXSW is far less heavily branded than it was in its \u2018<a href=\"https:\/\/www.fastcompany.com\/3027313\/doritos-has-a-bold-mission-and-lady-gaga-for-sxsw-attendees\" target=\"_blank\" rel=\"noopener noreferrer\">late capitalism<\/a>\u2019 phase back in the early years of the decade, so we\u2019ve got to look to bands for some of that cheesiness. Ah yes, how\u2019s this: A band of young sneering British boys making mathy post-punk signed to Rough Trade but doing the no-press, no-streaming thing? Sorry, but if you have a publicist and this minimal of a web presence, it\u2019s a gimmick. That said, this does look like it\u2019ll be a good show. I\u2019ll bite!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I\u2019ve never thrown a party I wasn\u2019t still preparing for when the first guests arrived. Maybe that\u2019s why I can empathize with most unofficial SXSW shows (see: non-$900 badge) getting [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":12790,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5151],"tags":[8828,6844,54,1801,8824,8825,8826,5829,8827],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.3 (Yoast SEO v18.5.1) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Pop Gazing at SXSW: The Beths, Ric Wilson and more - The Bozho<\/title>\n<meta name=\"description\" content=\"I couldn&#039;t see The Beths play in Chicago this week cuz their show sold out, but I&#039;m not bitter. 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