{"id":14957,"date":"2019-06-21T10:42:56","date_gmt":"2019-06-21T15:42:56","guid":{"rendered":"https:\/\/www.thebozho.com\/?p=14957"},"modified":"2019-06-28T11:30:27","modified_gmt":"2019-06-28T16:30:27","slug":"new-music-vagabon-caroline-polachek-frankie-cosmos","status":"publish","type":"post","link":"https:\/\/www.thebozho.com\/new-music-vagabon-caroline-polachek-frankie-cosmos\/","title":{"rendered":"Pop Gazing: \u201cFlood Hands\u201d by Vagabon, and more new music"},"content":{"rendered":"<p>I want to give a shout out to parking lots everywhere. When I showed up at Chicago\u2019s \u201cHuntington Bank Pavilion at Northerly Island\u201d to see Vampire Weekend last Sunday, I was reminded about something I\u2019d forgotten in the near-decade since last seeing a show there: The venue is basically a <a href=\"https:\/\/goo.gl\/maps\/6ZjZLhbC2rsK9dM46\" target=\"_blank\" rel=\"noopener noreferrer\">parking lot<\/a>. Having been raised on Summerfest, there\u2019s something oddly endearing about watching a performance from 500 feet away standing on ground that\u2019d skin your knees if you let it. Vampire Weekend might care about you, but the Huntington Bank Pavilion at Northerly Island does not \u2014 and something about seeing something <a href=\"https:\/\/www.setlist.fm\/setlist\/vampire-weekend\/2019\/huntington-bank-pavilion-at-northerly-island-chicago-il-5b91d7f8.html\" target=\"_blank\" rel=\"noopener noreferrer\">so joyous<\/a> in such a discouraging environment somehow makes that joy feel more genuine and earned.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 20px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" title=\"Vagabon - Flood Hands (Official Audio)\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/Q-llrj9v4vg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 5px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>Vagabon: \u201cFlood Hands\u201d<\/h3>\n<p>New York City-via-Cameroon artist Laetitia Tamko earned many fans and widespread acclaim (in indie spheres, at least) upon the release of her 2017 debut album, <a href=\"https:\/\/fatherdaughterrecords.bandcamp.com\/album\/infinite-worlds\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Infinite Worlds<\/em><\/a>, on Father\/Daughter Records. It was one of my favorite records that year, full of strikingly vulnerable tracks such as album opener and live favorite \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=zTo_Dsa8ijM\" target=\"_blank\" rel=\"noopener noreferrer\">The Sharks<\/a>.\u201d This week, we heard the first song from Vagabon\u2019s forthcoming sophomore record <em>All the Women in Me<\/em>.<\/p>\n<p>\u201cFlood Hands\u201d uses vocal processing, soft synth lines and fragmented, ghostly trap drums to establish a breathtaking vibe. Moments of the track remind me of the chilling production from Anohni\u2019s <a href=\"https:\/\/anohni.bandcamp.com\/album\/hopelessness\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Hopelessness<\/em><\/a>, a record I can\u2019t get enough of these days. Tamko wrote in a press release that she originally wrote \u201cHands\u201d for a \u201cwell-known pop duo,\u201d which allowed her creative space in the song\u2019s writing and production. I\u2019m grateful that she released this song herself, and I can\u2019t wait for it to lead to more palate-expanding material on the new record.<\/p>\n<p>Vagabon will open for Angel Olsen at The Sylvee on <a href=\"https:\/\/www.thesylvee.com\/events\/angel-olsen\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nov. 13<\/a>.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 30px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" title=\"Caroline Polachek - Door (Official Video)\" width=\"689\" height=\"517\" src=\"https:\/\/www.youtube.com\/embed\/7w6R4I7I3wA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 5px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>Caroline Polachek: \u201cDoor\u201d<\/h3>\n<p>In 2008, Caroline Polacheck\u2019s old band Chairlift soundtracked one of the most <a href=\"https:\/\/www.youtube.com\/watch?v=Wdep-3ANSgI\" target=\"_blank\" rel=\"noopener noreferrer\">iconic iPod commercials<\/a>, back when that placement was as big as a song could get. In the decade since, she\u2019s been regularly pushing beyond the immediate and cheery world of \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=ZQ9hLOHj8ag\">Bruises<\/a>.\u201d The last two Chairlift records got better and weirder. Solo records Polachek made under the names <a href=\"https:\/\/ramonalisa.bandcamp.com\/album\/arcadia\" target=\"_blank\" rel=\"noopener noreferrer\">Ramona Lisa<\/a> and <a href=\"https:\/\/cepdrawingthetarget.bandcamp.com\/album\/drawing-the-target-around-the-arrow\" target=\"_blank\" rel=\"noopener noreferrer\">CEP<\/a> skewed ambient. And writing what became Beyonc\u00e9\u2019s \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=d7PPjEB2QZQ\" target=\"_blank\" rel=\"noopener noreferrer\">No Angel<\/a>\u201d added a permanent layer of serious credibility to her name. \u201cDoor\u201d is the first solo single she\u2019s released under her own name, and it\u2019s great. Co-produced by Polacheck, Danny L Harle, Dan Nigro and Jim-E Stack, it feels intricate to the level of a vocaloid performance. Caroline\u2019s vocals float like <a href=\"https:\/\/www.youtube.com\/watch?v=IXdIxKQ-qWQ\" target=\"_blank\" rel=\"noopener noreferrer\">Imogen Heap<\/a>\u2019s as her chorus echoes around the track. It\u2019s natural and uncanny and intoxicating. I can\u2019t help but feel like this is the future <a href=\"https:\/\/soundcloud.com\/pcmus\/every-night?in=pcmus\/sets\/volume1\" target=\"_blank\" rel=\"noopener noreferrer\">PC Music<\/a> promised us in 2014, and I\u2019m grateful it\u2019s Polachek who\u2019s bringing it to us in 2019.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 30px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" title=\"Frankie Cosmos - Windows [OFFICIAL VIDEO]\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/0CxmXgOgjbQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 5px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h3>Frankie Cosmos: \u201cWindows\u201d<\/h3>\n<p>Frankie Cosmos is back! If it seems like her last release came out a few months ago, that\u2019s because <a href=\"https:\/\/www.youtube.com\/watch?v=UWAExNtz2XY&amp;list=PLbOGt8cOph4XOnQqnZBwDbTahwTiNqn-S\" target=\"_blank\" rel=\"noopener noreferrer\">it did<\/a>. The prolific indie pop outfit led by Greta Kline has been releasing music for about five years, which seems incredible taking into account her output during that time. Some back-of-the-envelope tabulation turns up over 60 tracks; distilled, emotional tableaus which virtually define \u201cshort and sweet\u201d (even if some of them are \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=xwP7ZxZj_PQ\" target=\"_blank\" rel=\"noopener noreferrer\">Sinister<\/a>\u201d). I think it\u2019s justified to regard Greta Kline as a songwriting genius. Lead single \u201cWindows\u201d opens us up to a view of the upcoming FC full-length <a href=\"https:\/\/ingridsuperstar.bandcamp.com\/album\/close-it-quietly\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Close It Quietly<\/em><\/a>, out Sept. 6. It\u2019s a softly-sung, inward-looking song reflecting on hesitance in a relationship, and it comes complete with full-band instrumentation. That leaves 20 unreleased tracks on this album; hopefully in the next three months we get another handful of good peeks inside the record.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I want to give a shout out to parking lots everywhere. When I showed up at Chicago\u2019s \u201cHuntington Bank Pavilion at Northerly Island\u201d to see Vampire Weekend last Sunday, I [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":14965,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5151],"tags":[10129,10130,54,1801,10128],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.3 (Yoast SEO v18.5.1) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Pop Gazing: Vagabon, Caroline Polachek, Frankie Cosmos - The Bozho<\/title>\n<meta name=\"description\" content=\"I&#039;m grateful that Vagabon released &quot;Flood Hands&quot; herself, and I can&#039;t wait for the song to lead to more palate-expanding material on her new record.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thebozho.com\/new-music-vagabon-caroline-polachek-frankie-cosmos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pop Gazing: \u201cFlood Hands\u201d by Vagabon\" \/>\n<meta property=\"og:description\" content=\"And new music by Caroline Polachek, Frankie Cosmos.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.thebozho.com\/new-music-vagabon-caroline-polachek-frankie-cosmos\/\" \/>\n<meta property=\"og:site_name\" content=\"The Bozho\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/thebozho\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-06-21T15:42:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-06-28T16:30:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2019\/06\/Vagabon-fb.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"630\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Pop Gazing: \u201cFlood Hands\u201d by Vagabon\" \/>\n<meta name=\"twitter:description\" content=\"And new music by Caroline Polachek, Frankie Cosmos.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2019\/06\/Vagabon-tw.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@thebozho\" \/>\n<meta name=\"twitter:site\" content=\"@thebozho\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Brandon Clementi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.thebozho.com\/#organization\",\"name\":\"The Bozho\",\"url\":\"https:\/\/www.thebozho.com\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/thebozho\/\",\"http:\/\/instagram.com\/thebozho\",\"https:\/\/twitter.com\/thebozho\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.thebozho.com\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/04\/logo.png\",\"contentUrl\":\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/04\/logo.png\",\"width\":600,\"height\":280,\"caption\":\"The Bozho\"},\"image\":{\"@id\":\"https:\/\/www.thebozho.com\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.thebozho.com\/#website\",\"url\":\"https:\/\/www.thebozho.com\/\",\"name\":\"The Bozho\",\"description\":\"Seeing things. 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