{"id":4757,"date":"2017-08-15T15:20:43","date_gmt":"2017-08-15T20:20:43","guid":{"rendered":"http:\/\/www.thebozho.com\/?p=4757"},"modified":"2018-02-09T14:19:20","modified_gmt":"2018-02-09T20:19:20","slug":"pop-gazing-new-music-cut-copy-destroyer-ill-b","status":"publish","type":"post","link":"https:\/\/www.thebozho.com\/pop-gazing-new-music-cut-copy-destroyer-ill-b\/","title":{"rendered":"Pop Gazing: New music from Cut Copy, Destroyer, Lil B, and more"},"content":{"rendered":"<p>While passing a front-yard lemonade sale last weekend, I saw three drink colors on the small folding table. As I went to buy the only orange cup of lemonade among plenty of pink and yellow, the kids working the sale explained that it was a combination of the other flavors. At this point I should note that it has since occurred to me that the \u201csomething\u201d Matt Berninger slips into his lemonade in \u201cFake Empire\u201d might just be a different color of lemonade.<\/p>\n<p>Now, I\u2019m already quite prone to weird science experiments when it comes to food and drink, but I also felt like it might do me well to carry the lesson of the pretty-good orange-ish lemonade into this column. Each of these entries combine disparate elements (artistic collabs, genre interpolation, melded influences) into fresh and very good songs.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 20px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/KNcY93meSlo?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<h3>Destroyer \u2013 \u201cSky\u2019s Grey\u201d<\/h3>\n<p>I\u2019ll never get past Dan Bejar\u2019s inhuman cool, his recording vocal takes lying down and his tendency to saunter on and off stage at will during New Pornographers shows, glass of red wine in hand.\u00a0The premiere track from forthcoming Destroyer album <em>Ken<\/em>, \u201cSky\u2019s Grey\u201d begins with synth, piano and vocals draped over a cartoonishly quick keyboard rhythm preset. If you still haven\u2019t been able to shake your obsession with Jessy Lanza\u2019s 2015 track \u201cIt Means I Love You\u201d (ahem), your first thought might be that Bejar will be trying his hand at footwork on <em>Ken<\/em>. What is happening!<\/p>\n<p>\u201cSky\u2019s Grey\u201d is very much \u201cnap on a bed of nails,\u201d though I haven\u2019t yet decided if it\u2019s a falling asleep or a waking up. Metaphor notwithstanding, we do see familiarly warm territory here beginning around the two-minute mark when a burbling synth line ushers in full instrumentation (including tambourine, yes, but sans saxophone). To Destroyer heads, I\u2019d say it\u2019s more <em>Rubies<\/em> than <em>Kaputt<\/em>. Three months remain before <em>Ken<\/em> hits shelves, so I\u2019m eagerly looking forward to its next single. By my measure, it\u2019s been well over a decade since this guy has put out a record that wasn\u2019t fantastic.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 20px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/fSSTLgCIlIw?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<h3>Ugly God feat. Wiz Khalifa \u2013 \u201cNo Lies\u201d<\/h3>\n<p>As I continue to age into a dated version of my formerly teenage self, I tend to feel increasingly out of touch with certain pockets of pop culture. It\u2019s hard to stay up on everything! From time to time I\u2019ll devote an hour to clicking around YouTube (or, yes, SoundCloud) to try and catch up with whatever\u2019s making waves. This was the mode by which I first came across Ugly God \u2014\u00a0a recommended video off of \u201c1 Night,\u201d I think. Let\u2019s check in with Mr. God, then: We\u2019ve got a track that\u2019s a little less cheeky than other U.G. hits, featuring a passable verse from \u201cYoung Khalifa.\u201d It\u2019s tough to say which person benefits more from the other\u2019s inclusion on the collab.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 20px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/QwrIlE-9cfU?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<h3>Jlin \/ Zora Jones \u2013 \u201cDark Matter\u201d<\/h3>\n<p>Listen, do you follow Jlin on social media? I feel like <a href=\"https:\/\/www.facebook.com\/jlintheinnovator\/\" target=\"_blank\" rel=\"noopener\">her Facebook presence<\/a> is one of the best kept secrets on the platform: in addition to being a consistently remarkable producer (and like, <em>capital R<\/em> Remarkable), she consistently delivers personality-rich messages of gratitude, inspiration and technical advice. That said, my favorite variety of Jlin post is the announcement of a new track. This collaboration with Barcelona-based producer Zora Jones is a \u201cwoo\u201d-heavy affair, both in its vocal samples and in the reaction it elicits. Try to not move to this! As if this group effort wasn\u2019t thrilling enough, Jlin recently made a post forecasting the release of a collaboration with noise producer Ben Frost, so I\u2019ve been glued to her Facebook page even more than usual.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 20px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/0PFoDeI6DBE?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<h3>Lil B \u2013 \u201cGetting Hot\u201d<\/h3>\n<p>It\u2019s become pass\u00e9 to lament the dramatic slowing of Lil B\u2019s formerly frantic stream of mixtape releases, but that doesn\u2019t make it any less exciting to be on the brink of a full-length mixtape (<em>Black Ken<\/em>) later this week. Lil B fired off a 7-track mixtape preview (<a href=\"http:\/\/www.datpiff.com\/Lil-B-The-BasedGod-Before-Black-Ken-mixtape.856535.html\"><em>Before Black Ken<\/em><\/a>) at the outset of August and it\u2019s been hard for me to process that this only represents a quarter of the full tape\u2019s tracks. Preview highlight \u201cGetting Hot\u201d shows Lil B in a curious new mode: The vibe is gloriously <em>not 2017<\/em> but it\u2019s not a throwback either. Lil B so obviously deserves a mountain of credit for influencing the pop landscape in the mid-to-late 2010s (100% of us are agreed on that by this point, right?) and as much as I want the BasedGod to have his own thing, I also can\u2019t wait for everything on the radio to sound like this (again).<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 20px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/Pu5SNyN2nj4?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<h3>Cut Copy \u2013 \u201cStanding in the Middle of a Field\u201d<\/h3>\n<p>There\u2019s a lot going on in this return single from Cut Copy, one of the defining acts of the turn-of-the-decade Australian electro-pop boom. In a delightful show of restraint, the track is diligently propelled by some Steve Reich-lite marimba and handheld percussion in a decidedly balearic fashion (so, double shouts out to the late Aughts) before finally arriving much later at full beat-drop. It\u2019s a songwriting method I\u2019ll probably forever associate with \u201cDance Yrself Clean\u201d but in this context it feels really good and fresh. Cut Copy <a href=\"http:\/\/majesticmadison.com\/event\/cut-copy\/\">visits the Majestic Theatre<\/a> on Nov. 18.<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 20px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<p><iframe loading=\"lazy\" width=\"689\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/o1v7mGD14lo?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<h3>Hundred Waters \u2013 \u201cFingers\u201d<\/h3>\n<p>It\u2019s been a fun challenge attempting to contextualize \u201cFingers.\u201d There are moments in the song which recall early \u201990s downtempo and others which seem like they\u2019d almost fit in among the best songs from the <em>Garden State<\/em> soundtrack. Hundred Waters have made their career on lushly produced pop; though many of my previous favorite tracks of theirs have been more expressively orchestrated, I really love the percussive backing line over ambient synth swells on this track. It\u2019s really hard to talk about this song without saying something about Bj\u00f6rk (ooh, I almost did it!). Ultimately, I think Hundred Waters\u2019 big win is writing a song so good you can forgive them for its <a href=\"https:\/\/www.youtube.com\/watch?v=PdIcW18n_cg\">Pharmakon-ripoff<\/a> video.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>While passing a front-yard lemonade sale last weekend, I saw three drink colors on the small folding table. As I went to buy the only orange cup of lemonade among [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":4759,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5151],"tags":[2915,2909,2916,2912,2914,54,1801,2910,2911,2913],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.3 (Yoast SEO v18.5.1) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Pop Gazing: New music from Destroyer, Lil B, and more | The Bozho<\/title>\n<meta name=\"description\" content=\"Each of these entries combine disparate elements (artistic collabs, genre interpolation, melded influences) into six fresh and very good songs.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thebozho.com\/pop-gazing-new-music-cut-copy-destroyer-ill-b\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"New music from Cut Copy, Destroyer, Lil B, and more\" \/>\n<meta property=\"og:description\" content=\"For your lemonade stand listening pleasure.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.thebozho.com\/pop-gazing-new-music-cut-copy-destroyer-ill-b\/\" \/>\n<meta property=\"og:site_name\" content=\"The Bozho\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/thebozho\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-08-15T20:20:43+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-09T20:19:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/08\/PopGazing-August17-fb.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"630\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"New music from Cut Copy, Destroyer, Lil B, and more\" \/>\n<meta name=\"twitter:description\" content=\"For your lemonade stand listening pleasure.\" \/>\n<meta name=\"twitter:image\" content=\"http:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/08\/PopGazing-August17-tw.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@thebozho\" \/>\n<meta name=\"twitter:site\" content=\"@thebozho\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Brandon Clementi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.thebozho.com\/#organization\",\"name\":\"The Bozho\",\"url\":\"https:\/\/www.thebozho.com\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/thebozho\/\",\"http:\/\/instagram.com\/thebozho\",\"https:\/\/twitter.com\/thebozho\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.thebozho.com\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/04\/logo.png\",\"contentUrl\":\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/04\/logo.png\",\"width\":600,\"height\":280,\"caption\":\"The Bozho\"},\"image\":{\"@id\":\"https:\/\/www.thebozho.com\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.thebozho.com\/#website\",\"url\":\"https:\/\/www.thebozho.com\/\",\"name\":\"The Bozho\",\"description\":\"Seeing things. 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