{"id":6245,"date":"2017-11-02T16:40:50","date_gmt":"2017-11-02T21:40:50","guid":{"rendered":"http:\/\/www.thebozho.com\/?p=6245"},"modified":"2018-08-20T16:31:55","modified_gmt":"2018-08-20T21:31:55","slug":"ilana-glazer-comedy-depression-catchphrases-president-bleep","status":"publish","type":"post","link":"https:\/\/www.thebozho.com\/ilana-glazer-comedy-depression-catchphrases-president-bleep\/","title":{"rendered":"Ilana Glazer finds comedy in depression, catchphrases and President [bleep]"},"content":{"rendered":"

Even if you\u2019ve never heard the words Broad City<\/em> strung together, chances are you\u2019ve heard \u201cyas queen\u201d somewhere. The Comedy Central hit sitcom Broad City<\/em>\u2019s most prominent export is more a rallying cry than a catchphrase, and it has struck a chord with a generation that\u2019s proudly feminist no matter where on the gender spectrum you fall. And that is a victory to Broad City <\/em>co-creator, writer and star Ilana Glazer.<\/p>\n

\u201cIt\u2019s a beautiful phrase, and I love that it starts from a place of femaleness,\u201d she tells me. But at the same time, Glazer is concerned she\u2019s appropriating a phrase coined in the 1980s within the drag community. Only half-joking, she asks herself, \u201cAm I a dumb white bitch that I\u2019m saying \u2018yas queen\u2019?\u201d<\/p>\n

This, in essence, is who Ilana Glazer is. She is one of the funniest people in comedy today, thanks in no small part to her role as the unhinged, perpetually stoned Ilana Wexler on Broad City<\/em>. She’s also one of the smartest: Thoughtful and empathetic, Glazer graduated from NYU with a psychology degree, which may explain her knack for conjuring up characters that sometimes do stupid, terrible things but never from a place of malice.<\/p>\n

Glazer will co-headline the upcoming \u201cYaaas Queen Yaaas\u201d comedy tour with Phoebe Robinson, a kindred spirit who hosts the popular podcasts 2 Dope Queens<\/em><\/a> and Sooo Many White Guys<\/em><\/a> (the latter of which Glazer serves as executive producer). The pair will perform two shows<\/a> on Nov. 5 at the Barrymore Theatre: 7 p.m. and 9:30 p.m.<\/p>\n

The Bozho<\/em> chatted with Glazer to discuss finding one\u2019s voice, why working with Robinson is like pie, and how depression can be funny.<\/p>\n

Obviously most people are probably going to know you for \u201cBroad City,\u201d but you got your start doing stand-up and improv. I am curious to know what your earliest sets were like, as you were starting to find your voice.<\/strong>
\nI still feel like I\u2019m trying to find my voice. I think my early live stuff \u2014\u00a0like improv, stand-up and sketch \u2014 was helping me find my voice to make TV. And it’s been fun to go back to my earlier experiences in comedy and go back to that. I really have been challenging myself to find my voice in stand-up. But my earlier sets, it\u2019s hard to remember actually. I think that my stand-up is true to what it was when I first started. Really, where I was developing was in TV writing and producing and acting, so I feel like it\u2019s not as progressed as my TV writing, since I started stand-up in my early days, but my sense of self has developed. So that\u2019s really helped guide my voice as I\u2019ve gotten back into stand-up in the past couple years.<\/p>\n

Did you meet Phoebe through stand-up?<\/strong>
\nI can\u2019t remember which club we met at exactly, but we\u2019ve been friends for I want to say eight years. But then I think, \u201cWait, did I say eight years a year ago?\u201d So like almost 10 years. (laughs)<\/em><\/p>\n

Did you two always know you wanted to do something together, or did it just sort of happen as you started producing her podcast?<\/strong>
\nWe came to this point where I was like, \u201cYou know, it\u2019s fun to make stuff with your friends.\u201d I think I had enough practice on it on Broad City<\/em>, in compartmentalizing shit but also letting it flow. And Phoebe and I have done a lot of stuff together. We started Sooo Many White Guys<\/em>, and we\u2019re also working on a show for TV for Phoebe, and then this became sort of a natural next step, filling it in like pie I guess. (laughs)<\/em> We\u2019re just working together, growing as friends and collaborators.<\/p>\n

Shifting gears a little, you\u2019re in the middle of another season of \u201cBroad City,\u201d and it\u2019s a little different since it\u2019s the first to be set in winter. It\u2019s normally a pretty joyful show, so was the darker setting a way to approach darker material without it seeming like a sudden change?<\/strong>
\nI think originally we just set out to explore New York in the winter, since New York is such a seasonal city. It\u2019s a different city in spring, summer, winter and fall, even though the earth burning is sort of messing that up. But it really has different mentalities in each season. So at first, we were just like, \u201cYou know, we\u2019ve never done a winter season.\u201d We\u2019d done a lot of summer, and a little spring\/fall light-jacket weather, but winter is a different deal. And once we started exploring that, we were like, \u201cAh, shit. This is gonna be depressing.\u201d (laughs)<\/em> There\u2019s just a depressing air around winter here. A sort of desperation.<\/p>\n

\"Ilana's<\/p>\n

Is it difficult to keep things light and comedic when you\u2019re dealing with such a depressing backdrop?<\/strong>
\nI think it\u2019s contrast that often makes comedy work, so it actually gave gravity to the backdrop and then allowed us to be lighter in a way. The episode<\/a> where I\u2019m depressed and using the (seasonal affective disorder) lamp \u2014 it\u2019s so wacky and absurd because it\u2019s also so depressing and real. That contrast allows for some magic juices to flow. The show\u2019s gotten more layered in its tone over the past four seasons. Earlier on it was poppier and lighter, and this stuff is heavier in general and realer, so I think winter ended up being just a natural place to go. Especially with the election and the whole politiscape. It just ended up working together really well, all these elements that we had wanted to do prior.<\/p>\n

You mention the political landscape. How did you go about getting Hillary Clinton on the show<\/a>?<\/strong>
\nEach step of the way, I think it seemed more coordinated in retrospect than it is. We think divine forces came together. But when we had Hillary Clinton on Broad City<\/em>, we just were exalted by the opportunity to have a real historical figure on our show and also an icon for strong women. I mean, yes, I voted for Hillary Rodham Clinton, so there was overlap, and there wasn\u2019t. There were two separate things, like \u201cThis is gonna make for great TV\u201d and \u201cThis is the most qualified presidential candidate who\u2019s ever run for office.\u201d It was like two different worlds for me.<\/p>\n

\"Broad<\/p>\n

And then we had \u201ccuckily\u201d assumed that she was going to win, and wrote the season not addressing the politiscape so much. But then, when the person who ended up being the 45th president was elected, we were just all talking about it constantly. It changed our lives, for me and Abbi, and what we talk about and how we think, and we ended up having<\/em> to reflect that in the characters, because the mentality changed.<\/p>\n

I appreciated your decision to <\/strong>bleep his name<\/strong><\/a> out on the show.<\/strong>
\nThank you. I appreciate your appreciation. It\u2019s an ugly word. And we definitely have to look at the ugliness and choose to learn from it, but then balance it out with an escape from the ugliness.<\/p>\n","protected":false},"excerpt":{"rendered":"

Even if you\u2019ve never heard the words Broad City strung together, chances are you\u2019ve heard \u201cyas queen\u201d somewhere. 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