{"id":6652,"date":"2017-12-01T13:17:06","date_gmt":"2017-12-01T19:17:06","guid":{"rendered":"http:\/\/www.thebozho.com\/?p=6652"},"modified":"2018-08-20T15:59:36","modified_gmt":"2018-08-20T20:59:36","slug":"new-music-friday-chris-stapleton-glassjaw","status":"publish","type":"post","link":"https:\/\/www.thebozho.com\/new-music-friday-chris-stapleton-glassjaw\/","title":{"rendered":"New Music Friday: Chris Stapleton, Glassjaw and more"},"content":{"rendered":"<p><em>Today is Friday, the most wonderful day of the week for music lovers because it\u2019s the day when new albums are released. Let\u2019s celebrate by highlighting some of today\u2019s new records.<\/em><span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 20px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h2>Neil Young + Promise of the Real<\/h2>\n<p><em>The Visitor <\/em>(Reprise)<\/p>\n<p>Neil Young has never been afraid to voice his political commentary through his music. For two of his recent releases, the progressive curmudgeon has done so while backed by Promise of the Real, a roots-rock outfit fronted by Lukas and Micah Nelson, sons of country great Willie Nelson. The band has managed to put an almost Crazy Horse-rivaling kick behind the rock and roll sage as he eviscerates Monsanto and chants for peace. <em>The Visitor<\/em> is another project with Promise of the Real, and it comes at absolutely no surprise that this album is an anti-Trump effort through and through. Young\u2019s lament for today\u2019s political state of affairs is palpable on \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=tfyNPxM-M-w\" target=\"_blank\" rel=\"noopener\">Already Great<\/a>,\u201d but he stands strong with his adopted country and those in it that fight against hate. He reminds us of his Canadian origin in the opening line and then spends the rest of the song telling us why he has stayed in the US for half a century. While perhaps not always sonically ambitious, Young\u2019s string of concept albums have all been excellent exercises in protest and they are always worth a listen. Kudos to the hippie master for pushing his long-running fight into his 70s and hopefully beyond. <em>(JM)<\/em><\/p>\n<h6>Listen on: <a href=\"https:\/\/itunes.apple.com\/us\/album\/the-visitor\/1299337620\">Apple Music<\/a> | <a href=\"https:\/\/open.spotify.com\/album\/40MZYLGzKMbcg0yfZgl1lk\">Spotify<\/a> | <a href=\"https:\/\/listen.tidal.com\/album\/81398824\">Tidal<\/a><\/h6>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 30px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h2>Glassjaw<\/h2>\n<p><em>Material Control <\/em>(Century Media)<\/p>\n<p>A lot\u2019s happened in the 15 years since Glassjaw released <em>Worship and Tribute<\/em>, their last full-length album. The angry young men from Long Island have grown up a bit, as evidenced in <a href=\"https:\/\/www.theguardian.com\/music\/2017\/dec\/01\/cult-punks-glassjaw-return-it-was-offensive-you-dont-talk-to-a-woman-like-that\">a recent interview<\/a> that frontman Daryl Palumbo gave to <em>The Guardian<\/em>, apologizing for the group\u2019s early, often grotesquely misogynistic lyrics. \u201cYou don\u2019t talk to a woman like that,\u201d he lamented. \u201cI was angry. It\u2019s offensive.\u201d But people can change, and on <em>Material Control<\/em>, the group\u2019s first album since 2002, Glassjaw appears to have shed their casual misogyny, finally dropping the one thing that gave even their best work a bad aftertaste. Gone are the knee-jerk, violent revenge fantasies. In their place are ruminations on dealing with a world that seems hopeless, coupled with the band\u2019s lush, expansive and manic instrumentation. If there\u2019s one band that can perfectly capture the human emotional spectrum in the Trump-era, it\u2019s Glassjaw. <em>(TW)<\/em><\/p>\n<h6>Listen on: <a href=\"https:\/\/itunes.apple.com\/us\/album\/material-control\/1313067233\">Apple Music<\/a> | <a href=\"https:\/\/open.spotify.com\/album\/3Z9dDwHYs6mPAW2BHoT4JZ\">Spotify<\/a> | <a href=\"https:\/\/listen.tidal.com\/album\/81193182\">Tidal<\/a><\/h6>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 30px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h2>Chris Stapleton<\/h2>\n<p><em>From a Room: Volume 2 <\/em>(Mercury Nashville)<\/p>\n<p>Since releasing his debut <em>Traveller<\/em> in 2015, Chris Stapleton has essentially upended the mainstream country machine. Thanks to the hirstute Kentuckian, country music seems to be straying farther from the \u201ccutoff jeans and jacked-up truck\u201d bro-ness of the past few years and heading in a more traditional direction, as evidenced by the recent success of artists like Jason Isbell and Sturgill Simpson. But neither of those two artists can capture the sort-of everyman, bipartisan spirit that Stapleton does. On <em>From a Room: Volume 2<\/em>, the companion to another album released earlier this year, Stapleton tightens his grip on country\u2019s steering wheel, offering up nine tracks that pinball between contemplative country-folk and brawny heartland rock. And while he may still lack Isbell\u2019s hyper-literate storytelling ability or Simpson\u2019s psychedelic flourishes, <em>From a Room: Volume 2<\/em> has a mainstream accessibility that can really make country music great again. <em>(TW)<\/em><\/p>\n<h6>Listen on: <a href=\"https:\/\/itunes.apple.com\/us\/album\/from-a-room-volume-2\/1293899666\">Apple Music<\/a> | <a href=\"https:\/\/open.spotify.com\/album\/24fkX2Gdqw4a6pR9BUYbE5\">Spotify<\/a> | <a href=\"https:\/\/listen.tidal.com\/album\/81290958\">Tidal<\/a><\/h6>\n<span class=\"\" style=\"display:block;clear:both;height: 0px;padding-top: 30px;border-top-width:0px;border-bottom-width:0px;\"><\/span>\n<h2>Cindy Wilson<\/h2>\n<p><em>Change<\/em> (Kill Rock Stars)<\/p>\n<p>Cindy Wilson, longtime vocalist of The B-52s, has officially struck out on her own for the very first time since the new wave band\u2019s inception in the late 1970s. After putting out a couple of EPs in quick succession, <em>Change <\/em>is her first long-playing release and it seeks to establish Wilson as an artist in her own right. Her music is dreamy electro-pop, backed by a slick disco smoothness that she\u2019s been perfecting over the last 40 years. \u201c<a href=\"https:\/\/cindywilson.bandcamp.com\/track\/no-one-can-tell-you\" target=\"_blank\" rel=\"noopener\">No One Can Tell You<\/a>\u201d finds Wilson\u2019s traditionally belted-out vocals breathy and reserved as they shimmer in and out around synthy hooks. The technicolor qualities of her new wave background are tuned down and disseminated, taking things to a more subdued, reflective place. It\u2019s the sincerity of Wilson\u2019s music that really differentiates her from her past. Wilson\u2019s solo work is as reserved as The B-52s\u2019 is in your face, and that is bold on its own. She can still get it done, with or without the kitsch. <em>(JM)<\/em><\/p>\n<h6>Listen on: <a href=\"https:\/\/itunes.apple.com\/us\/album\/change\/1262024890\">Apple Music<\/a> | <a href=\"https:\/\/open.spotify.com\/album\/3zlDYmK9NHpZykDp2qs7Yl\">Spotify<\/a> | <a href=\"https:\/\/listen.tidal.com\/album\/76588642\">Tidal<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Today is Friday, the most wonderful day of the week for music lovers because it\u2019s the day when new albums are released. Let\u2019s celebrate by highlighting some of today\u2019s new [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":6657,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5151],"tags":[4557,4559,4558,54,4561,3402,4562,4560],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.3 (Yoast SEO v18.5.1) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>New Music Friday: Chris Stapleton, Glassjaw and more | The Bozho<\/title>\n<meta name=\"description\" content=\"New album releases on Dec. 1, 2017 include Neil Young + Promise of the Real, Glassjaw, Chris Stapleton and The B-52s&#039; Cindy Wilson.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thebozho.com\/new-music-friday-chris-stapleton-glassjaw\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"New Music Friday: Chris Stapleton, Glassjaw and more\" \/>\n<meta property=\"og:description\" content=\"#NMF\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.thebozho.com\/new-music-friday-chris-stapleton-glassjaw\/\" \/>\n<meta property=\"og:site_name\" content=\"The Bozho\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/thebozho\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-12-01T19:17:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-08-20T20:59:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/12\/NMF-120117-fb.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"630\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"New Music Friday: Chris Stapleton, Glassjaw and more\" \/>\n<meta name=\"twitter:description\" content=\"#NMF\" \/>\n<meta name=\"twitter:image\" content=\"http:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/12\/NMF-120117-tw.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@thebozho\" \/>\n<meta name=\"twitter:site\" content=\"@thebozho\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Julia McAnly\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.thebozho.com\/#organization\",\"name\":\"The Bozho\",\"url\":\"https:\/\/www.thebozho.com\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/thebozho\/\",\"http:\/\/instagram.com\/thebozho\",\"https:\/\/twitter.com\/thebozho\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.thebozho.com\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/04\/logo.png\",\"contentUrl\":\"https:\/\/www.thebozho.com\/wp-content\/uploads\/2017\/04\/logo.png\",\"width\":600,\"height\":280,\"caption\":\"The Bozho\"},\"image\":{\"@id\":\"https:\/\/www.thebozho.com\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.thebozho.com\/#website\",\"url\":\"https:\/\/www.thebozho.com\/\",\"name\":\"The Bozho\",\"description\":\"Seeing things. 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