{"id":7330,"date":"2018-02-09T12:23:55","date_gmt":"2018-02-09T18:23:55","guid":{"rendered":"http:\/\/www.thebozho.com\/?p=7330"},"modified":"2018-08-20T16:01:01","modified_gmt":"2018-08-20T21:01:01","slug":"new-music-friday-black-panther-brian-fallon-son-lux","status":"publish","type":"post","link":"https:\/\/www.thebozho.com\/new-music-friday-black-panther-brian-fallon-son-lux\/","title":{"rendered":"New Music Friday: Black Panther: The Album<\/em>, Brian Fallon, Son Lux"},"content":{"rendered":"

Today is Friday, the most wonderful day of the week for music lovers because it\u2019s the day when new albums are released. Let\u2019s celebrate by highlighting some of today\u2019s new records.<\/em><\/span>\n

Various Artists<\/h3>\n

Black Panther: The Album<\/em> (Interscope\/Top Dawg\/Aftermath)<\/p>\n

It\u2019s not often that a soundtrack pops up in a \u201ctop new music\u201d roundup, but then again not all soundtracks are curated and produced by Best Rapper Alive\u2122<\/a> Kendrick Lamar. Black Panther: The Album<\/em> is the musical companion to the upcoming Marvel blockbuster film and is quite literally a who\u2019s who of modern hip-hop and R&B. Not only is Kung Fu Kenny at the helm, but Black Panther<\/em> also showcases the considerable talents of James Blake, SZA, Vince Staples and Anderson .Paak, just to name a few. And even with the big personalities on hand, they meld together seamlessly, like in the subgenre blending \u201cKing\u2019s Dead<\/a>,\u201d which combines Blake\u2019s skeletal production, Kendrick\u2019s and Jay Rock\u2019s west coast swagger and Future\u2019s lean\u2019d out trap weirdness and somehow makes it work very well<\/em>. You come at the king, you best not miss.<\/p>\n

Listen on: Apple Music<\/a> | Spotify<\/a> | Tidal<\/a><\/h6>\n<\/span>\n

Brian Fallon<\/h3>\n

Sleepwalkers<\/em> (Island)<\/p>\n

2018 is already shaping up to be a pretty good year for Brian Fallon. The Gaslight Anthem frontman will not only see the New Jersey rock band\u2019s landmark sophomore album The \u201959 Sound<\/em> turn 10 (an event commemorated by the end of the band\u2019s three-year hiatus for a string of shows) but also the release of his second solo album, Sleepwalkers<\/em>. And if the funky, Motown-flecked \u201cIf Your Prayers Don\u2019t Get to Heaven<\/a>\u201d is any indication, it would appear Fallon\u2019s got his soul back, a part of his musical identity curiously absent from his occasionally somber solo debut, Painkillers <\/em>(as well as Gaslight\u2019s downright morose final album, Get Hurt<\/em>). In fact, \u201cMy Name is the Night (Color Me Black)<\/a>\u201d is the closest Fallon\u2019s gotten to emulating the \u201959 sound since, well, The \u201959 Sound<\/em>. Fallon visits Milwaukee\u2019s Turner Hall Ballroom on April 18<\/a> and Chicago\u2019s House of Blues on April 19<\/a>.<\/p>\n

Listen on: Apple Music<\/a> | Spotify<\/a> | Tidal<\/a><\/h6>\n<\/span>\n

Son Lux<\/h3>\n

Brighter Wounds<\/em> (City Slang)<\/p>\n

Ryan Lott has an uncanny ability to make the strange sound majestic. His brainchild, Son Lux, melds elements of post-rock and trip-hop, combining ethereal vocals, grandiose sampling and atmospheric ambience to make songs that sound cinematic in nature. At least that\u2019s the case with Brighter Wounds<\/em>, Lott\u2019s sixth album under the Son Lux moniker. Tracks like \u201cDream State<\/a>\u201d evoke a sort of paranoia, with its repetitive \u201cHow do we feel?\u201d<\/em> closer almost shouting out into the vacuum, earnestly asking for a reaction to a world that seems to be falling apart. Son Lux isn\u2019t out here to cure your anxiety, dread and lethargy, but simply score it. Lott plays Chicago’s Lincoln Hall on March 29<\/a>.<\/p>\n

Listen on: Apple Music<\/a> | Spotify<\/a> | Tidal<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

Today is Friday, the most wonderful day of the week for music lovers because it\u2019s the day when new albums are released. 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